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In the
previous chapter we added the last
instruments to our instrumental Reggae
track. A track, we created with the use of
the MIDI protocol. En passant we've
been taking a close look just how a Reggae
rhythm is constructed, how you can find a
good bass line with your chords or vice
versa, and a whole heap more. We're into the
22nd chapter, and actually all we have been
doing is laying a ground work for future Dub
projects. All we have been doing is creating
an instrumental Reggae track with total
disregard of any sound balance, and so the
track sounds awful. That's what we're going
to be working on in the next few chapters.
When I
started to write this tutorial I was dealing
with like the first generation Audio cards
that needed quite a specific set-up. I
remember that I had to physically open my
computer and change things so that two sound
cards could work on one computer, even. In
the same time, the way I made my Dub was
totally different in these times. It would
take me over 5 minutes to create just one
echo.
When I
discovered Propellerhead Reason, my working
method completely changed. What did not
change was the fact that I made my
instrumental Reggae tracks with midi (and a
few audio loops). In spite of all the
developments, what has not changed in making
Dub with (or without) a computer is the fact
that you'll need something to Dub and
usually that would be an instrumental Reggae
track, or a multi track recording of a
Reggae track with, let's say, vocals on
them.
So, in a
way, it's very good that it took such a long
time before we're actually in this part of
the tutorial. I don't have to introduce you
to a working method that requires more than
patience, self control and what have you.
We will
still be using the MIDI protocol throughout
the entire tutorial. It can't be different,
because what we have been doing by creating
the music is the very same thing what we
will be doing when we're actually in the Dub
phase. After all, because of Midi we can
give instructions to not just a keyboard,
but a mixing board, effect devices and all
the things we'll be using. Because of MIDI
we can make Dub with computers in the first
place.
However, it
is time to make some closing remarks about
this segment of the tutorial. We have been
creating an instrumental Reggae track, even
though it's not the next Reggae world hit.
You now know why MIDI is a very important
part in the creation of music, any music.
You know now how to make your own
instrumental Reggae track.
We now have
to use this track and turn it into a Dub
track, something we'll be doing in the next
chapters.
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