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Reggae Music
can be produced using musicians playing real
instruments or it can be programmed into a
sequencer. A combination is the most common,
but we're not quite there yet. At this
moment, we've just been introduced to the
Riddim concept. In order to make a Dub,
you'll need to have an instrumental Reggae
track in multi-track format (midi and/or
audio). To make an instrumental Reggae track
is to build a riddim.
Before
we'll actually make a riddim, there are
things to know about Reggae Music. Essential
things, like the Riddim concept itself is
essential knowledge.
The reason
why a Reggae track is called a Riddim, has
everything to do with the fact that Reggae
Music itself is not so much a style or genre
but a rhythm itself as well. You can play
any style or genre in that rhythm. That's
how you get Reggae-Soul, Reggae-Rock, and so
on. Throughout the history of Reggae,
musical genres of the day are absorbed by
the Reggae rhythm which gives Reggae an
ever-contemporary sound.
In short:
when you know how to fill in the drums and
instruments in the rhythm that is called
Reggae, you know how to build a riddim and
do you thing with it.
It starts
with deciding the tempo or Beats Per Minute
(BPM), which happens to be yet another point
you need to know a few things about when it
comes to the Reggae rhythm.
Reggae can
be very fast, very slow, and everything in
between. You can decide if a track is fast
or not by listening to the skanks or chords.
The time between the chord hits gives you
the tempo indication. Usually, the tempo of
a Reggae track is roughly between 110 to 190
BPM.
Wait.
110 to 190
BPM? Isn't it supposed to be under 100 all
the way down to like 55 or so?
Nope.
This has
everything to do with the way a bar is
filled in Reggae. Let's take a look and
listen to a popular
way to fill in a 4/4 Drum Measure in a
sequencer:

LISTEN:
EXAMPLE0001.MP3
| EXAMPLE0001.MID
Now
take a look and listen how a Reggae drum
would fill in that same bar in that same
tempo (140 BPM):

LISTEN: EXAMPLE0002.MP3
| EXAMPLE0002.MID
A
popular way of drumming is to put the snare
drum on the 2nd and 4th count of a bar. In
Reggae, the snare just hits the 3rd. The
only thing the two drum patterns have in
common is the Hi Hat pattern. The bassdrum
and snare drum are "halved". Can't
you just double the Hi Hat pattern and slow
the tempo down to 70 BPM? Wouldn't that have
the very same sound? Well, yes. When you
like to overcrowd your sequencer's piano
roll and lose all oversight, go ahead. When
you prefer a better oversight, keep it
between 110-190 BPM. You won't be sorry you
did.
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